My name is Amber Reynolds. There are three things you should know about me.
1. I’m in a coma
2. My husband doesn’t love me any more
3. Sometimes I lie
Unnerving, twisted and utterly compelling, you won’t be able to put this new thriller down. Set to be the most talked about book in 2017, it’s perfect for fans of Behind Closed Doors, The Girl on the Train and The Widow.
Read an Extract:
Now
Boxing Day,
December 2016
I’ve always delighted in the free fall between sleep and wakefulness.
Those precious few semi-conscious seconds before
you open your eyes, when you catch yourself believing that
your dreams might just be your reality. A moment of intense
pleasure or pain, before your senses reboot and inform
you who and where and what you are. For now, for just a
second longer, I’m enjoying the self-medicated delusion that
permits me to imagine that I could be anyone, I could be
anywhere, I could be loved.
I sense the light behind my eyelids and my attention is
drawn to the platinum band on my finger. It feels heavier
than it used to, as though it is weighing me down. A sheet
is pulled over my body, it smells unfamiliar and I consider
the possibility that I’m in a hotel. Any memory of what I
dreamt evaporates. I try to hold on, try to be someone and
stay somewhere I am not, but I can’t. I am only ever me and
I am here, where I already know I do not wish to be. My
limbs ache and I’m so very tired, I don’t want to open my
eyes, until I remember that I can’t. Panic spreads through me like a blast of icy cold air. I
can’t recall where this is or how I got here, but I know who I
am. My name is Amber Reynolds. I am thirty-five years old.
I’m married to Paul. I repeat these three things in my head,
holding on to them tightly, as though they might save me,
but I’m mindful that some part of the story is lost, the last
few pages ripped out. When the memories are as complete
as I can manage, I bury them until they are quiet enough
inside my head to allow me to think, to feel, to try to make
sense of it all. One memory refuses to comply, fighting its
way to the surface, but I don’t want to believe it.
The sound of a machine breaks into my consciousness,
stealing my last few fragments of hope and leaving me with
nothing except the unwanted knowledge that I am in a
hospital. The sterilised stench of the place makes me want
to gag. I hate hospitals. They are the home of death and
regrets that missed their slots, not somewhere I would ever
choose to visit, let alone stay.
There were people here before, strangers, I remember
that now. They used a word I chose not to hear. I recall lots
of fuss, raised voices and fear, not just my own. I struggle
to unearth more, but my mind fails me. Something very
bad has happened, but I cannot remember what or when.
Why isn’t he here?
It can be dangerous to ask a question when you already
know the answer.
He does not love me.
I bookmark that thought.
I hear a door open. Footsteps, then the silence returns but it’s spoiled, no longer pure. I can smell stale cigarette
smoke, the sound of pen scratching paper to my right.
Someone coughs to my left and I realise there are two of
them. Strangers in the dark. I feel colder than before and
so terribly small. I have never known a terror like the one
that takes hold of me now.
I wish someone would say something.
‘Who is she?’ asks a woman’s voice.
‘No idea. Poor love, what a mess,’ replies another woman.
I wish they’d said nothing at all. I start to scream.
My name is Amber Reynolds! I’m a radio presenter! Why
don’t you know who I am?
I shout the same sentences over and over, but they ignore
me, because on the outside I am silent. On the outside, I am
nobody and I have no name.
I want to see the me they have seen. I want to sit up,
reach out and touch them. I want to feel something again.
Anything. Anyone. I want to ask a thousand questions. I
think I want to know the answers. They used the word from
before too, the one I don’t want to hear.
The women leave, closing the door behind them, but the
word stays behind, so that we are alone together and I am no
longer able to ignore it. I can’t open my eyes. I can’t move.
I can’t speak. The word bubbles to the surface, popping on
impact and I know it to be true.
Coma.
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